I'm printing out my postcards for the show this week:
I've ordered 1,000 so that I can really get the word out properly.
I've also been working with James Harnois to prepare to take a photograph emulating this picture of Queen Elizabeth, but with a little twist:
In the version for my show, Her Majesty the Sea Queen will be photographed in all her coronation regalia. This will be a part of the installation in my show in March.
Currently, I'm trying to complete the work to be photographed within the next couple of weeks so that I can put a small catalog together. I've been spending most of my time beading, cold-working, and finishing all the pieces for the show. One month to go!!!!
Can't wait!
I've been looking a lot at Banksy's work lately and getting really inspired by how he makes work that's experienced by everyone who comes into contact with it on the street. There's a power in his artwork that's rarely seen in the galleries and museums.
The following two pictures were taken of his artwork on the West Bank Barrier in the Middle East:
Bansky's work is as much about the location as it is about the imagery.





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